Kotetsu is pretty straightforward. Obviously, the easiest thing for Sherlock to pick up is his hero versus his civilian identity, but he might also note his tendency to deflect the conversation away from himself, which would indicate some level of discomfort about talking about his personal life too much.
Tsuruya is incredibly straight-forward. At most, he might pick up slight traces in her bearing and her taste in clothing that indicates she comes from a very well-to-do family, but that's about it. Besides that, despite attempts to try to find any underlying sadness, he'll find that she acts happy because frankly most of the time she is -- although when she's NOT, she might try a little harder to be happy.
Ran, even though she doesn't remember her master, carries herself like a servant -- just ever so slightly stooped, very conservative and overly respectful. She is for the most part fine, but there's an underlying tone to her voice that suggests a certain hollowness, as if something very important to her was ripped away with her memories. This also comes with some underlying melancholy she tries not to advertise too much. That said, the way she looks around her tends to be very calculating at all times, as if ensuring she takes in enough of her environment to prepare for anything.
Hiroshi's probably the biggest case. He tends to be slightly more tense around supernatural beings in a fashion that hints heavily at a mild phobia. He's also a little jumpy; he can mostly contain it, but if anything surprises him he reacts a lot more strongly than most people, suggesting a certain degree of post-traumatic disorder. Although he acts like he's a rational scientist, he seems almost too eager to put on this image, suggesting that it is at least partly manufactured. He does, despite what his icon indicate, change clothes, but he always, always wears the scarf despite the weather, suggesting it functions as a bit of a security blanket for him.
no subject
Kotetsu is pretty straightforward. Obviously, the easiest thing for Sherlock to pick up is his hero versus his civilian identity, but he might also note his tendency to deflect the conversation away from himself, which would indicate some level of discomfort about talking about his personal life too much.
Tsuruya is incredibly straight-forward. At most, he might pick up slight traces in her bearing and her taste in clothing that indicates she comes from a very well-to-do family, but that's about it. Besides that, despite attempts to try to find any underlying sadness, he'll find that she acts happy because frankly most of the time she is -- although when she's NOT, she might try a little harder to be happy.
Ran, even though she doesn't remember her master, carries herself like a servant -- just ever so slightly stooped, very conservative and overly respectful. She is for the most part fine, but there's an underlying tone to her voice that suggests a certain hollowness, as if something very important to her was ripped away with her memories. This also comes with some underlying melancholy she tries not to advertise too much. That said, the way she looks around her tends to be very calculating at all times, as if ensuring she takes in enough of her environment to prepare for anything.
Hiroshi's probably the biggest case. He tends to be slightly more tense around supernatural beings in a fashion that hints heavily at a mild phobia. He's also a little jumpy; he can mostly contain it, but if anything surprises him he reacts a lot more strongly than most people, suggesting a certain degree of post-traumatic disorder. Although he acts like he's a rational scientist, he seems almost too eager to put on this image, suggesting that it is at least partly manufactured. He does, despite what his icon indicate, change clothes, but he always, always wears the scarf despite the weather, suggesting it functions as a bit of a security blanket for him.